ROLEY

Tag: Pungoverse

  • Journal, April 21st, 2024

    • I’ve completed 9 episodes of The Pungoverse, which will complete what am envision will be a first season. I’ve decided that these will be vertical videos, which will require me to create visual reps of the Pungonians. I don’t think I’ll be using filters for the most part, with the exception of one character. I’m looking to start filming next weekend. I don’t have an ETA to release, but I’ve shed the guilt of having to do things on any kind of timeline. These will happen when they happen.
    • No one fucking warned me about X-Men ‘97. I love it, but you ripped my damn heart out.
    • The cyberpunk story is about two episodes in. I have no idea where it’s going. I can tell you it’s called TSUNAMI, and it’s based off an idea I had around 1999. Some elements of this story have been transferred from another story I wrote in 1988, specifically the main character’s assistant. The story is in the first person, and I hope to produce this with music and sound effects, rather than an audio book narration. It’s been a tough slog because while the basic idea has been in my head, the direction isn’t something I’ve given thought to until I started writing. I was splitting time between this and the Pungoverse until I realized that I couldn’t switch tasks like that. Now that Pungoverse is written, I will resume this after I complete and schedule the releases.
    • I’ve listened to The Tortured Poets Department three times now. I’m not a diehard Taylor fan, but I do like her later pop synth stuff. Here’s my take on the album: She has said that this is a dark chapter in her life that she’s closed with this album, so I don’t think it’s out of bounds to call this a concept album. It’s The Wall (Taylor’s Version), and of course I’m going to listen to something like that. If you’re looking for banger after banger, this isn’t it. This is a songwriter telling you her story the same way Billy Joel, Joni Mitchell, and Carly Simon told you about their lives. It’s a good album.
    • After the week that was, I feel like this would be an excellent time to repeat that if you’re forming your opinions from second hand information, you may be getting the wrong info. Never trust hearsay, sources that have a clear bias, or anything online that doesn’t have attribution that you can verify. That’s going to be very important for the remainder of this year.

    I’m going to try and get back to daily posts. No promises. And of course, here be the supermodel

  • JOURNAL: February 11th, 2024

    Yes, I know, it’s been a minute. Several. Welcome to the world of object permanence, where I forget it exists if it’s not right in front of my face. That said, let’s fill you in on where things are.

    Over the past little while, I seem to have made a breakthrough when it comes to my life since 2020. Aside from the fact that 4 years is long enough to be anything, much less sad, I lit upon what I think is an inconvenient truth I had to face: There was a point where the writing was on the wall that I was going to be let go from my job, COVID or no COVID. There were yearly layoffs back then, and I had dodged two rounds. My job had been relegated to rewriting and voicing English versions of Japanese scripts with little to no variation between printer models. I was editing already-produced videos of illustrations with little to no variation either. I wasn’t creating anything new, I was reheating the leftovers. In a sense, I was set up to fail. Once I got to that realization, I realized that it didn’t give much of a base to qualify for a job in the field beyond that. So, if I wanted to do something creative with video, it’s up to me to do that on my own. TikTok is nice and all, and it’s quick and dirty, but I think I need to do something a little more substantial. Now, I’m no Casey Neistat. I’m just some guy with a camera that thought he was a multimedia guy until he realized he wasn’t. So maybe I should do something about that.

    In other news, some progress updates:

    The new Pungoverse season seems to be going a bit better, I’ve written two episodes so far. The premise is very simple. WYRD 101 has lost its broadcasting license due to a huge mistake. If you’ve been a fan of WYRD 101 over the years then this shouldn’t come as much of a surprise. Roley’s talent agent takes on the whole crew and suggests a pivot to all podcasting. This sets up a little bit of a satire of the current state of podcasting, and what I see as the homogenization of the industry. I also hope to revisit some long lost citizens of Pungo that I haven’t used in a long, long time.

    The other project I’ve been working on is Tsunami. I’ve finished one chapter, and halfway through a second one. Tsunami is my attempt at a cyberpunk story, and I hope I can do the genre a little bit of justice since I’ve been a fan of it for so long. The main character is a Tracker of sorts, and falls into a little bit of a mystery involving augmented humans. It’s in the first person, and the main character is in the vein of the sarcastic type of detective I grew up being fascinated by, from Richard Diamond Private Detective, to Thomas Magnum.

    Podcasting? Well, that’s what these two things are for. It’s possible I’ll serve something up soon, though I am not going to head back to the same old current events pod. It’s boring, and I really don’t want to think about the timeline we’re living in right now, or I’ll get nothing done.

    I have two other ideas in the bucket at the moment, but they’re not fully formed thoughts yet. In other words, just like any other random thought in my head at any given moment. Update next time on that, hopefully.

    See ya next time.